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  <title>Karice Mitchell</title>
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  <description>Stories, art, and ideas from a creative life</description>
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    <title>The Drafts Folder of Boundaries: Five Emails That Taught Me to Stop Apologizing for Having a Job</title>
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    <description>Every creative professional has a drafts folder full of emails they&#039;ll never send — the angry ones, the honest ones, the ones that would&#039;ve felt great for nine seconds. Here are five of mine, what they revealed, and the framework I now use before hitting send on anything.</description>
    <author>Karice Mitchell</author>
    <category>Business of Art</category>
    <pubDate>Tue, 03 Nov 2026 00:04:22 GMT</pubDate>
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    <title>The Barista Focus Group: Testing Rough Ideas on People Who Owe You Nothing</title>
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    <description>Before any client sees a new concept, I float a half-finished version past strangers at my neighborhood coffee shop. It sounds unhinged, but the honesty you get from someone holding a latte is worth more than a round of polite revision notes.</description>
    <author>Karice Mitchell</author>
    <category>Creative Practice</category>
    <pubDate>Tue, 03 Nov 2026 00:04:22 GMT</pubDate>
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    <title>The Number You&#039;re Afraid to Say Out Loud</title>
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    <description>Quoting a price feels like confessing something. But clients aren&#039;t buying your hours — they&#039;re buying your judgment, and judgment doesn&#039;t clock in. A few frameworks, some honest fear-talk, and the exact words to use when it&#039;s time to name your number.</description>
    <author>Karice Mitchell</author>
    <category>Creative Practice</category>
    <pubDate>Mon, 02 Nov 2026 20:05:21 GMT</pubDate>
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    <title>Nobody Scrolls Past Story: Rethinking What a Portfolio Even Is</title>
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    <description>The classic work grid is quietly losing to something messier and more human: the story of how the work got made. Here&#039;s what five creatives&#039; sites reveal about what actually turns a visitor into a client — plus a checklist to restructure your own.</description>
    <author>Karice Mitchell</author>
    <category>Business of Art</category>
    <pubDate>Mon, 02 Nov 2026 20:05:21 GMT</pubDate>
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    <title>Wet Paint: Letting People Watch You Figure It Out</title>
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    <description>The finished piece gets a like. The in-progress shot gets a conversation. Why the unpolished middle of the creative process is the most underrated audience-building tool you have — and how to share it without giving away the whole store.</description>
    <author>Karice Mitchell</author>
    <category>Creative Practice</category>
    <pubDate>Mon, 02 Nov 2026 16:05:16 GMT</pubDate>
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    <title>Signature Lines: When the Check Clears but the Voice Stays Yours</title>
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    <description>A commissioned piece might live on someone else&#039;s wall, but does it live in someone else&#039;s voice? On the strange in-between of paid-for art, contractual ownership, and why the conversation about credit should happen before the ink dries.</description>
    <author>Karice Mitchell</author>
    <category>Business of Art</category>
    <pubDate>Mon, 02 Nov 2026 16:05:16 GMT</pubDate>
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    <title>Small Sparks: The Tiny Habits That Kept My Personal Work From Disappearing</title>
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    <description>Client work paid the bills, but it nearly erased the personal portfolio I&#039;d spent a decade building. These ten-minute rituals — coffee-break sketches, voice memos, micro photo walks — are how I clawed it back.</description>
    <author>Karice Mitchell</author>
    <category>Creative Practice</category>
    <pubDate>Mon, 02 Nov 2026 12:05:39 GMT</pubDate>
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    <title>One Project, Twelve Paydays: A Field Guide to Recycling Passion Work</title>
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    <description>A single self-initiated project can fund a year of your career — if you stop treating it as one piece of work. Here&#039;s the exact breakdown of how I turned one photo essay into prints, pitches, commissions, and a workshop.</description>
    <author>Karice Mitchell</author>
    <category>Business of Art</category>
    <pubDate>Mon, 02 Nov 2026 12:05:39 GMT</pubDate>
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